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Articles by Aquila Ismail


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[25 Mar 2010 | Comments Off | Aquila Ismail]
Art With a View

As NuktaArt enters its fifth year, Aquila Ismail revisits Pakistan’s premier art magazine – a brainchild of three art critics and a graphic designer.

Arts & Culture, Books »

[4 Dec 2005 | Comments Off | Aquila Ismail]
Defining Convictions

Adichie’s debut novel is an engaging tale of contrasting beliefs and lifestyles, and the resultant realities that emerge.

Arts & Culture, Books »

[2 Jul 2005 | Comments Off | Aquila Ismail]
Bollywood Bonanza

Scripted in the style of a Bollywood film, Australian author Roberts’ Shantaram has all the masala of a box-office hit.

Arts & Culture, Books »

[3 Mar 2005 | Comments Off | Aquila Ismail]
Humour in the Time of Occupation

For one woman living in Palestine, Ariel Sharon is culpable of another crime as heinous as his occupation: forcing her to cohabit with her mother-in-law.

Arts & Culture, Books »

[2 Feb 2005 | Comments Off | Aquila Ismail]
Witness to Slaughter

This novel is a testimony to the ills which beset Africa, and the role of the west in wreaking the havoc.

Arts & Culture, Books »

[2 Nov 2004 | Comments Off | Aquila Ismail]
Puppets or Defiant Women?

Barbara Victor views female Palestinian suicide bombers as mere puppets rather than as powerful symbols of defiance against a brutal occupying force.

Arts & Culture, Movies »

[4 Aug 2004 | Comments Off | Aquila Ismail]
Battling Bush

A devastating critique of the Bush administration’s Iraq policy leaves out a critical part of the story.

Arts & Culture, Books »

[1 Aug 2004 | Comments Off | Aquila Ismail]
The Architecture of Oppression

A Civilian Occupation provides incriminating evidence of how deeply involved Israeli architects have been in the state’s policy of expansionism.

Arts & Culture, Books »

[4 May 2004 | Comments Off | Aquila Ismail]
The Jackal’s Wedding

Tariq Ali deftly uses Arab and Iraqi poetry to illustrate his tale of imperialist aggression.

Arts & Culture, Books »

[1 Feb 2004 | Comments Off | Aquila Ismail]
Forced Parallels

Iranian author Azar Nafisi fails to make a convincing case for using Nabokov’s Lolita as the prism through which to view the Iranian revolution.