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Articles by Niilofur Farrukh


Arts & Culture, Books »

[7 Nov 2011 | One Comment | Niilofur Farrukh]
Book Review: Painting The Persian Book of Kings Today

The University of Cambridge’s ‘Shahnama Project,’ celebrating the epic poem’s millennium in 2010, chronicles the countless illustrations of Shahnameh Ferdowsi in a stunning new exhibition catalogue, augmented with four erudite research essays by acclaimed art scholars.

Art, Arts & Culture »

[2 Sep 2007 | Comments Off | Niilofur Farrukh]
An Art Moment in History

The National Art Gallery showcases the rich repetoire of art in the country and acts as a stately tribute to the indomitable spirit of the Pakistani artist.

Arts & Culture »

[1 Jan 2006 | Comments Off | Niilofur Farrukh]

Virtually all our national monuments have no presence in the nation’s consciousness. If only, the stakeholders were allowed to define a monument’s objectives, laments Niilofur Farrukh.

Art, Arts & Culture »

[1 Mar 2005 | Comments Off | Niilofur Farrukh]
Art and Sensibility

Increasingly, VM Gallery’s ‘Emerging Talent Show’ provides a reliable indicator of the country’s state of the arts.

Art, Arts & Culture »

[1 Jan 2005 | Comments Off | Niilofur Farrukh]
The Potters Tale

A young Pakistani woman helps breathe new life into an ancient Afghan craft.

Art, Arts & Culture »

[1 May 2004 | Comments Off | Niilofur Farrukh]
The Good Earth

In her innovations with clay, Ishrat Suhrawardy strengthens her dialogue with her medium and achieves an important breakthrough.

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[3 Apr 2004 | Comments Off | Niilofur Farrukh]
A Master Revisited

The Ahmed Parvez Retrospective at VM Gallery provided art historians a rare opportunity to study the artist’s uncompromising brilliance.

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[2 Mar 2004 | Comments Off | Niilofur Farrukh]
Mapping History

An artist’s journey into events that shape our lives.

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[1 Nov 2003 | Comments Off | Niilofur Farrukh]
Tribute to a Master

‘The Passion of Zahoor ul Akhlaq’ was more than just a tribute to one of Pakistan’s most influential painters – the exhibition opened a window to Pakistani art for the international community.

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[2 Nov 2002 | Comments Off | Niilofur Farrukh]
Walking a Trodden Path

As the 21st century artist struggles to create new myths in the polarised global village, the conflicts, both social and political, have led to a strange dialogue with the past by investing new meaning into forms appropriated from history and popular culture.