A couple of Newsline know-it-alls go head-to-head and offer their Oscars predictions.
"Shaan was most unprofessional. He went off to do an ad for a diaper company, giving me the excuse that his mother was ill!" says Reema, when talking about the filming of her latest movie.
"Maybe a venue like the Olympics compliments my work, where the obvious rosy picture of perfection exists superficially," says contemporary miniaturist Tazeen Qayyum.
A couple of Newsline know-it-alls go head-to-head and offer their Oscars predictions.
“Shaan was most unprofessional. He went off to do an ad for a diaper company, giving me the excuse that his mother was ill!” says Reema, when talking about the filming of her latest movie.
“Maybe a venue like the Olympics compliments my work, where the obvious rosy picture of perfection exists superficially,” says contemporary miniaturist Tazeen Qayyum.
The strength of Imran Mir’s Eleventh Paper on Modernism resides in the quality and range of his work.
Talat Rahim introduces the nation to the world of ‘civil serpents,’ sinister ministers and other curious creatures in her debut book on Pakistan’s bureaucracy.
Saeed Akhtar’s retrospective at Lahore’s Ejaz Gallery combines brilliant draughtsmanship with fantasy.
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