“Maybe a venue like the Olympics compliments my work, where the obvious rosy picture of perfection exists superficially,” says contemporary miniaturist Tazeen Qayyum.

The strength of Imran Mir’s Eleventh Paper on Modernism resides in the quality and range of his work.

Saeed Akhtar’s retrospective at Lahore’s Ejaz Gallery combines brilliant draughtsmanship with fantasy.

A seasoned photographer explores a new way of seeing.

Focusing on people and their environment, Mohatta Palace Museum’s photography exhibit went beyond the average touristy visuals of Pakistan.

Why did someone so gifted, so unconventional and so creative have to leave us in the prime of his life?

Pakistan’s transnational artists are now less troubled by issues of locality and straddle two to three cultures with ease.

The element of mystery heightens the search for the true path in R.M. Naeem’s work.

Chawkandi Art’s “The Other Side” showcases the diversity and freshness of emerging artists.

The ethos of protest is alive and kicking in the contemporary art world, says art critic Salwat Ali.